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home·artworks·Legong dancer
Legong dancer by Romualdo Locatelli

plate no. 3986

Legong dancer

Romualdo Locatelli, 1939

oil, canvasOrientalismgenre paintingfiguredancerfanbuildingportraittraditional clothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing movement, and creating depth through layering and glazing techniques. It also offers practice in color mixing to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure pose and background elements, focusing on proportions and composition.

  2. step 02

    Establish the main light and shadow areas using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the local colors of the skin, clothing, and background, keeping the values accurate.

  4. step 04

    Begin layering and blending the colors to create smooth transitions and define forms.

  5. step 05

    Add details to the face, hands, and clothing, paying attention to subtle color variations.

  6. step 06

    Refine the background, adding texture and depth with loose brushstrokes.

  7. step 07

    Glaze thin layers of color to enhance the overall harmony and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to emphasize the focal points.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · viridian green · cadmium red light · raw sienna

Mix skin tones using yellow ochre, burnt umber, and titanium white, adjusting the proportions to achieve the desired warmth and value. Create the green of the skirt by mixing viridian green and yellow ochre. Use raw sienna and burnt umber to create the background tones.

techniques

  • ·blocking in
  • ·blending
  • ·glazing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, burnt umber, titanium white, viridian green, cadmium red light, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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