
plate no. 1146
Paul Henry, 1913
Recreating this painting will help students understand atmospheric perspective and how to simplify complex landscapes into basic shapes and color blocks. It also teaches the importance of layering and blending to create depth and texture.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains, hills, and water, paying attention to the overall composition.
Block in the large areas of color for the sky, mountains, water, and hills using thin washes.
Add darker values to the mountains and hills to create depth and form.
Begin layering lighter values on the hills to suggest sunlight and texture.
Mix and apply the subtle variations of color in the water, reflecting the sky and surrounding landscape.
Add details to the rocks and shoreline, using thicker paint and visible brushstrokes.
Refine the clouds, blending edges to create a soft, atmospheric effect.
Add final highlights to the water and hills to create a sense of light and atmosphere.
color palette
primary · ultramarine blue · raw umber · titanium white
secondary · yellow ochre · burnt sienna · payne's gray
Mix ultramarine blue and white for the sky and distant mountains. Use raw umber and yellow ochre for the hills, adding white for highlights. Mix white with a touch of blue and umber for the water.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides