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home·artworks·Leaving For The Hunt
Leaving For The Hunt by Edwin Lord Weeks

plate no. 7007

Leaving For The Hunt

Edwin Lord Weeks

oil, canvasOrientalismgenre paintingarchitecturefigureshorsesleopardbuildingcourtyard
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details and capturing the subtle variations in light and shadow across different surfaces. It also provides practice in depicting figures and animals in a realistic manner.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the building and figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin adding details to the architecture, focusing on the intricate patterns and textures.

  4. step 04

    Develop the figures and animals, paying attention to their anatomy and poses.

  5. step 05

    Refine the lighting and shadows to create depth and dimension.

  6. step 06

    Add highlights and details to the figures, animals, and architectural elements.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · raw umber · burnt sienna · yellow ochre

secondary · ultramarine blue · cadmium red light · titanium white

Achieve the warm, sun-drenched tones by mixing yellow ochre, burnt sienna, and raw umber. Use ultramarine blue to cool down the shadows and create atmospheric perspective.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurately rendering the proportions of the figures and animals.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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