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home·artworks·Le Tailleur
Le Tailleur by Eugène Girardet

plate no. 8290

Le Tailleur

Eugène Girardet

oilOrientalismgenre paintingfiguresarchitectureclothingstreet sceneshadowsdaily life
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures in light and shadow, as well as capturing the textures of different materials like fabric and stone. It also provides practice in creating a sense of depth and atmosphere in a complex scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and buildings.

  2. step 02

    Block in the main shapes and colors of the buildings and ground, focusing on the overall tonal values.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figures.

  4. step 04

    Start building up the details of the figures' clothing, paying attention to the folds and drapery.

  5. step 05

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  6. step 06

    Refine the background details, adding texture and details to the buildings and street.

  7. step 07

    Add the small details like the cups and the weaving equipment.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and realistic painting.

color palette

primary · yellow ochre · raw umber · titanium white · burnt sienna

secondary · cadmium orange · ultramarine blue · ivory black

The key to achieving the warm, earthy tones of this painting is to mix different combinations of yellow ochre, raw umber, burnt sienna, and white. Use small amounts of blue and black to create shadows and cool tones.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of tonal values in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints: yellow ochre, raw umber, burnt sienna, titanium white, ultramarine blue, cadmium orange, ivory black
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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