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home·artworks·Le Pacha De Tanger Près De La Grande Mosquée
Le Pacha De Tanger Près De La Grande Mosquée by Benjamin Constant

plate no. 4932

Le Pacha De Tanger Près De La Grande Mosquée

Benjamin Constant

oilOrientalismgenre paintingarchitecturefiguresprocessionflagshorsestreet scene
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, figure painting in a crowd, and capturing the effects of light and shadow on various textures. It also offers practice in depicting architectural details and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architecture, figures, and horizon line.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the large shapes of the buildings, figures, and ground using thin washes of color.

  4. step 04

    Begin adding details to the architecture, paying attention to the intricate patterns and textures.

  5. step 05

    Develop the figures, starting with the larger shapes and gradually adding details to the faces and clothing.

  6. step 06

    Refine the values and colors, creating a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Apply final details and adjustments to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red light · yellow ochre

secondary · cerulean blue · viridian · alizarin crimson

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes to create depth and luminosity in the shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·broken color
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Inaccurate proportions of figures and architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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