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home·artworks·Le Marchand De Tapis.
Le Marchand De Tapis. by Hermann David Salomon Corrodi

plate no. 8467

Le Marchand De Tapis.

Hermann David Salomon Corrodi, 1905

canvas, oilOrientalismcityscapearchitecturecourtyardfigurescarpetsmarketlight
experienced study

Recreating this painting will help students develop skills in perspective, rendering light and shadow, and creating a sense of depth in a complex architectural scene. Students will also practice painting figures in a realistic style.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and perspective lines of the architecture.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights.

  4. step 04

    Start adding details to the architectural elements, such as the arches, windows, and walls.

  5. step 05

    Paint the figures, paying attention to their proportions and poses.

  6. step 06

    Add details to the carpets and other objects in the scene.

  7. step 07

    Refine the overall composition and add final touches to create a sense of atmosphere.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the warm tones by mixing burnt umber, yellow ochre, and white. Use ultramarine blue to create cooler shadows and to tone down the warmth of the other colors. Mix small amounts of cadmium red to create the carpet colors.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·linear perspective
  • ·chiaroscuro

common pitfalls

  • →Getting the perspective wrong, which will throw off the entire composition.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Failing to create a sense of depth, which will make the painting look flat.
  • →Not capturing the warm light and atmosphere of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints: burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, raw sienna
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the warm undertones of the painting.

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oil painting for beginners →how to learn by studying the masters →
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