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home·artworks·Le kiosque de Trajan sur le Nil
Le kiosque de Trajan sur le Nil by Hermann David Salomon Corrodi

plate no. 5405

Le kiosque de Trajan sur le Nil

Hermann David Salomon Corrodi

oilOrientalismlandscaperiverbuildingfiguresskypalm treesboat
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating realistic reflections in water. It also provides practice in rendering architectural details and figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, figures, and boat.

  2. step 02

    Block in the sky with blended layers of orange, yellow, and blue, creating a gradient effect.

  3. step 03

    Establish the water using horizontal brushstrokes, reflecting the colors of the sky and the objects on the shore.

  4. step 04

    Paint the building and tower, paying attention to the light and shadow to create depth.

  5. step 05

    Add the palm trees, using thin, curved strokes for the fronds.

  6. step 06

    Paint the figures on the shore, simplifying their forms and focusing on their silhouettes.

  7. step 07

    Add details to the boat and the surrounding landscape, such as the masts and the texture of the sand.

  8. step 08

    Refine the reflections in the water, ensuring they align with the objects above.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · raw umber · cadmium orange

Mix different proportions of yellow ochre, burnt sienna, and ultramarine blue to create the various shades of the sky, water, and landscape. Use white to lighten the colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·scumbling
  • ·rendering reflections
  • ·layering

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a clear value structure.
  • →Ignoring the atmospheric perspective, making distant objects too sharp.
  • →Using colors straight from the tube without mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Using a toned canvas can help to establish the warm undertones of the painting. Acrylics are faster drying, while oils allow for more blending time.

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