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home·artworks·Landscape with Trees
Landscape with Trees by Ralph Blakelock

plate no. 6079

Landscape with Trees

Ralph Blakelock

oilTonalismlandscapetreeslandscapefoliageskypathwoods
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding tonal values in a landscape. It also provides practice in rendering foliage with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the sky with thin washes of light blue, yellow, and white, blending the colors softly.

  3. step 03

    Block in the dark masses of the trees and foliage using dark browns and greens.

  4. step 04

    Begin layering lighter greens and yellows onto the foliage to create highlights and texture.

  5. step 05

    Add details to the tree trunks and branches, using thin lines and varying the pressure of your brush.

  6. step 06

    Develop the foreground with darker browns and greens, suggesting a path or clearing.

  7. step 07

    Refine the details and add final highlights to create a sense of depth and atmosphere.

  8. step 08

    Glaze with thin washes of color to unify the painting and adjust the overall tone.

color palette

primary · burnt umber · sap green · titanium white · yellow ochre

secondary · ultramarine blue · raw sienna

Mix greens by combining sap green, yellow ochre, and burnt umber. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating too much contrast and flattening the sense of depth.
  • →Using colors straight from the tube without mixing them, resulting in an unnatural look.
  • →Ignoring the subtle variations in tone and color within the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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