apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with Sheep
Landscape with Sheep by George Inness

plate no. 1592

Landscape with Sheep

George Inness

oilTonalismlandscapelandscapetreessheepcloudsfieldpath
some experience helpful

Recreating this painting will help students learn to blend colors smoothly to create atmospheric perspective and to suggest detail rather than rendering it precisely.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the large tree and the horizon line.

  2. step 02

    Block in the large shapes of color: sky, trees, field, and path.

  3. step 03

    Establish the dark values in the tree trunk and shadowed areas.

  4. step 04

    Begin blending the colors in the sky to create the stormy atmosphere.

  5. step 05

    Add details to the trees, suggesting leaves with small brushstrokes.

  6. step 06

    Paint the sheep and shepherd, keeping them simple and indistinct.

  7. step 07

    Refine the details in the foreground, adding texture to the grass and path.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism.

color palette

primary · viridian green · raw umber · ultramarine blue · titanium white

secondary · yellow ochre · burnt sienna · cadmium yellow light

Achieve the muted greens by mixing viridian green with raw umber and titanium white. Create the atmospheric sky by blending ultramarine blue, titanium white, and a touch of burnt sienna.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details, especially in the background.
  • →Making the colors too saturated.
  • →Failing to create a sense of depth.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Spring, Hudson River

Spring, Hudson River

Leon Dabo

Oraibi, Hopi village, Arizona

Oraibi, Hopi village, Arizona

Xavier Martinez

The Farmyard

The Farmyard

Albert Pinkham Ryder

Woodland Vista

Woodland Vista

Ralph Blakelock

Landscape

Landscape

Leon Dabo

Untitled (Moon Over a Harbor)

Untitled (Moon Over a Harbor)

Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)

Afternoon in Piedmont (Elsie Whitaker Martinez)

Xavier Martinez

Near Conway, North Wales

Near Conway, North Wales

Alexander Helwig Wyant