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home·artworks·Landscape, South of France
Landscape, South of France by Samuel Peploe

plate no. 6390

Landscape, South of France

Samuel Peploe, 1928

oilPost-Impressionismlandscapelandscapebuildingstreesskyvillagehills
some experience helpful

Recreating this painting will help students develop skills in layering colors with visible brushstrokes and simplifying complex scenes into basic shapes. It also encourages experimentation with color temperature to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hills, and trees, focusing on composition.

  2. step 02

    Block in the sky and distant hills with diluted blues and purples.

  3. step 03

    Establish the main areas of the buildings with light washes of white, orange, and yellow.

  4. step 04

    Begin layering the foliage with various shades of green, blue, and purple, using short, broken brushstrokes.

  5. step 05

    Add darker values to the trees and shadows to create depth and dimension.

  6. step 06

    Refine the shapes of the buildings and add details like windows and rooflines.

  7. step 07

    Introduce highlights to the foliage and buildings to create a sense of light and atmosphere.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and composition.

color palette

primary · ultramarine blue · titanium white · cadmium orange · viridian green

secondary · purple · yellow ochre · raw umber

Mix greens by combining blue and yellow. Achieve various shades of blue by mixing ultramarine with white and a touch of purple. Create earth tones by mixing orange, blue, and umber.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the forms.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on paint type)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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