apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape on Lake Geneva
Landscape on Lake Geneva by Ferdinand Hodler

plate no. 3909

Landscape on Lake Geneva

Ferdinand Hodler, 1906

oilPost-Impressionismlandscapelandscapelakemountainsskyfieldgrass
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and using broken color techniques to represent textures in nature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, mountains, lake, and foreground.

  2. step 02

    Block in the sky with light blue and white, using horizontal brushstrokes.

  3. step 03

    Paint the distant mountains with varying shades of blue, adding hints of green and purple.

  4. step 04

    Fill in the lake with a mix of blue, white, and a touch of purple, reflecting the sky and mountains.

  5. step 05

    Establish the foreground field with a base layer of green, varying the shades to create depth.

  6. step 06

    Add details to the foreground, such as individual blades of grass and small flowers, using short, broken brushstrokes.

  7. step 07

    Refine the details of the mountains and shoreline, adding highlights and shadows.

  8. step 08

    Add final touches to the sky, blending the colors to create a soft, atmospheric effect.

color palette

primary · ultramarine blue · titanium white · yellow ochre · sap green

secondary · cadmium red · violet · raw umber

Mix blues and whites for the sky and lake, add yellow ochre to greens for the field, and use small amounts of red and violet to create the flower accents.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating too much detail in the distant mountains, flattening the perspective.
  • →Making the foreground too uniform, lacking depth and texture.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·easel
  • ·painting medium
  • ·varnish

A medium-textured canvas will work well for capturing the brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov