apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape in Limburg
Landscape in Limburg by Else Berg

plate no. 2217

Landscape in Limburg

Else Berg, 1942

oilPost-Impressionismlandscapelandscapebuildingstreesskywallfoliage
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and texture, as well as simplifying complex scenes into basic shapes and values. Students will also learn to mix muted colors and create a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, wall, tree, and horizon line.

  2. step 02

    Block in the sky with a thin wash of gray and white.

  3. step 03

    Establish the basic colors for the buildings and wall using muted tones.

  4. step 04

    Paint the background hills and trees, focusing on creating depth with color variations.

  5. step 05

    Add the main tree, paying attention to its shape and the direction of light.

  6. step 06

    Develop the details of the wall, using different shades of gray and brown to create texture.

  7. step 07

    Add the foliage and flowers in the foreground, using small, deliberate brushstrokes.

  8. step 08

    Refine the details and adjust the values to create a cohesive composition.

color palette

primary · gray · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · sap green · red oxide

Mix grays by combining white with small amounts of burnt umber and blue. Achieve muted yellows by mixing yellow ochre with burnt umber and white. Create natural greens by mixing sap green with yellow ochre and a touch of burnt umber.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on medium)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to help create a more textured effect. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov