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home·artworks·Landscape from Padasjoki
Landscape from Padasjoki by Alfred William Finch

plate no. 4632

Landscape from Padasjoki

Alfred William Finch, 1917

oilPost-Impressionismlandscapelandscapetreeshaystacksbuildingsskyfield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the impressionistic feel of light and shadow in a landscape. Students will also learn to simplify complex forms into basic shapes and use expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, the placement of the buildings, trees, and haystacks.

  2. step 02

    Establish the sky with broad strokes of light gray and blue, blending the colors softly.

  3. step 03

    Block in the large shapes of the trees with dark green, varying the shades to create depth.

  4. step 04

    Paint the buildings with a base of red, adding darker tones for shadows and lighter tones for highlights.

  5. step 05

    Add the field with strokes of yellow and green, varying the colors to suggest the texture of the grass.

  6. step 06

    Paint the haystacks with a mix of yellow, brown, and green, using short, broken strokes to create texture.

  7. step 07

    Add details to the trees, buildings, and haystacks, using smaller brushes and finer strokes.

  8. step 08

    Refine the overall composition, adjusting the colors and values as needed to create a sense of depth and harmony.

color palette

primary · sap green · cadmium yellow · alizarin crimson · ultramarine blue

secondary · burnt umber · titanium white · yellow ochre

Mix greens by blending yellow and blue, and vary the shades by adding white or brown. Achieve the red building color by mixing alizarin crimson with a touch of burnt umber. Create the haystack color by mixing yellow ochre with a touch of burnt umber and white.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Focusing too much on details early on, which can make the painting look stiff.
  • →Not varying the brushstrokes enough, which can make the painting look flat.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grit canvas to provide a good surface for the oil paint. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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