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Landscape by Martyl Langsdorf

plate no. 1157

Landscape

Martyl Langsdorf

oil, canvasPrecisionismlandscapelandscapebridgearchitecturebuildingssky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into geometric shapes and using a limited color palette to create a cohesive and expressive landscape. It will also help with understanding atmospheric perspective and creating depth through color and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the bridge, buildings, and landscape, focusing on proportions and placement.

  2. step 02

    Block in the sky with a thin wash of light blue-gray.

  3. step 03

    Establish the main color areas for the buildings and landscape using simplified geometric shapes.

  4. step 04

    Begin layering colors within each shape, varying the tones and hues to create depth and interest.

  5. step 05

    Add details to the bridge structure, focusing on the arches and shadows.

  6. step 06

    Refine the edges of the shapes, softening some and leaving others sharp to create visual interest.

  7. step 07

    Add highlights to suggest light and form.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and composition.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · viridian green · raw umber

Mix various shades of gray by combining white, blue, and a touch of burnt sienna. Achieve earth tones by mixing yellow ochre, burnt sienna, and raw umber. Use small amounts of cadmium red to warm up the browns and greens.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the simplified geometric shapes.
  • →Using too many colors and creating a muddy effect.
  • →Failing to establish a clear value structure.
  • →Not simplifying the scene enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette knife
  • ·palette

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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