apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape
Landscape by George Morland

plate no. 7966

Landscape

George Morland, 1800

oilRococolandscapeskycloudslandscapehorseswagonfigure
some experience helpful

This painting allows students to practice creating atmospheric perspective and rendering dynamic skies with visible brushstrokes. It also provides an opportunity to learn how to suggest detail in distant objects.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of the wagon and figures.

  2. step 02

    Establish the overall value structure by blocking in the darks of the sky and the lights of the ground.

  3. step 03

    Begin layering the sky with blues, greens, and grays, using loose, expressive brushstrokes.

  4. step 04

    Add highlights to the clouds to create depth and dimension.

  5. step 05

    Paint the ground with a mix of browns, creams, and whites, suggesting texture with varied brushstrokes.

  6. step 06

    Render the wagon and horses, simplifying the forms and focusing on their overall shape and value.

  7. step 07

    Add the figure, paying attention to its pose and relationship to the wagon.

  8. step 08

    Refine details and adjust values to create a sense of atmosphere and depth.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Yellow ochre · Raw sienna · Payne's gray

Mix blues and whites for the sky, adding touches of yellow ochre for highlights. Use burnt umber and white for the ground, and mix in small amounts of blue to create cooler shadows.

techniques

  • ·Impasto
  • ·Scumbling
  • ·Atmospheric perspective
  • ·Broken color
  • ·Dry brushing

common pitfalls

  • →Overworking the details, losing the loose, expressive quality of the original.
  • →Failing to create a strong sense of atmospheric perspective.
  • →Using too much detail in the background elements.
  • →Not varying brushstrokes enough to create texture.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (Prussian blue, Titanium white, Burnt umber, Yellow ochre)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Palette knife
  • ·Medium (e.g., Liquin)
  • ·Varnish

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West