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home·artworks·Landscape at Le Cannet
Landscape at Le Cannet by Pierre Bonnard

plate no. 8308

Landscape at Le Cannet

Pierre Bonnard, 1938

oil, canvasPost-Impressionismlandscapelandscapebuildingsvillagehillsskytrees
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve nuanced hues and practice applying broken color techniques to create vibrant textures. It also encourages simplification of complex scenes into basic shapes and forms.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the hills, buildings, and major tree masses.

  2. step 02

    Establish the sky with broad strokes, blending yellows, purples, and blues.

  3. step 03

    Block in the distant hills with muted blues and greens.

  4. step 04

    Begin adding the larger masses of buildings, using a mix of oranges, yellows, and blues to represent the roofs and walls.

  5. step 05

    Develop the foreground with greens and yellows, using broken color to create texture.

  6. step 06

    Add details to the buildings, such as windows and doors, using darker values.

  7. step 07

    Refine the foliage with short, broken brushstrokes, varying the colors to create depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · yellow ochre · ultramarine blue · cadmium orange · viridian green

secondary · purple · white · raw umber

Mix greens by combining yellow ochre and ultramarine blue or viridian green. Achieve purples by blending ultramarine blue and cadmium orange. Use white to lighten colors and create tints.

techniques

  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a clear value structure.
  • →Getting lost in details too early.
  • →Ignoring the overall color harmony.
  • →Applying paint too thickly or thinly.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (yellow ochre, ultramarine blue, cadmium orange, viridian green, purple, white, raw umber)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retarder medium
  • ·Varnish
  • ·Easel

Use a limited palette to simplify color mixing. Consider using a medium to adjust the consistency of the paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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