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Lamplight by Victor Pasmore

plate no. 8962

Lamplight

Victor Pasmore, 1941

oil, canvasPost-Impressionisminteriorinteriorlampfiguretablestill lifebooks
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, as well as simplifying complex forms into basic shapes. It also encourages experimentation with loose brushwork and color mixing to create atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the lamp, figures, and table.

  2. step 02

    Establish the dark background using a mix of dark greens and browns.

  3. step 03

    Block in the main light source (the lamp) with a light yellow or cream color, gradually building up the highlights.

  4. step 04

    Add the mid-tones and shadows to the figures and objects on the table, using a limited palette of greens, browns, and yellows.

  5. step 05

    Use loose brushstrokes to create texture and suggest details, avoiding hard edges.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add small details like the flowers and the book.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · yellow ochre · burnt umber · sap green

secondary · titanium white · cadmium yellow light · alizarin crimson

Achieve the muted greens by mixing yellow ochre, sap green, and a touch of burnt umber. Create the warm highlights by mixing titanium white with cadmium yellow light and a hint of alizarin crimson.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·value studies

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#6 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for better paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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