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home·artworks·Lamentation of women Camaret around the chapel of burnt-Roch' Amadour
Lamentation of women Camaret around the chapel of burnt-Roch' Amadour by Charles Cottet

plate no. 2411

Lamentation of women Camaret around the chapel of burnt-Roch' Amadour

Charles Cottet, 1911

oilPost-Impressionismgenre paintingarchitectureruinsskyfiguresboatslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and limited palette color mixing to create a somber mood. Students will also practice rendering complex shapes with simplified forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, figures, and boats, paying attention to the overall composition.

  2. step 02

    Establish the sky with a gradient of warm yellows and oranges, blending smoothly.

  3. step 03

    Block in the dark masses of the building and figures using a mix of browns and blacks.

  4. step 04

    Add details to the building, suggesting the architectural features and textures.

  5. step 05

    Refine the figures, suggesting their forms and gestures without adding too much detail.

  6. step 06

    Paint the foreground, suggesting the texture of the ground and the presence of debris.

  7. step 07

    Add highlights to the building and figures to create a sense of depth and form.

  8. step 08

    Adjust the overall values and colors to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · yellow ochre · raw sienna

secondary · ivory black · cadmium yellow

Mix burnt umber and yellow ochre for the warm browns of the building. Use ivory black to darken the shadows and create a sense of depth. Add small amounts of cadmium yellow to brighten the highlights.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·tonal painting
  • ·blending

common pitfalls

  • →Overworking the details
  • →Creating too much contrast
  • →Failing to establish a clear focal point
  • →Using too many colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette knife
  • ·linseed oil

optional

  • ·raw sienna oil paint
  • ·cadmium yellow oil paint
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to allow for better blending and scumbling. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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