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home·artworks·Lake Thun
Lake Thun by Ferdinand Hodler

plate no. 6435

Lake Thun

Ferdinand Hodler, 1884

oilPost-Impressionismlandscapemountainslakelandscapeskyhillstrees
some experience helpful

This painting is great for learning about layering colors and creating depth in a landscape. Students can practice simplifying complex forms into basic shapes and using color temperature to create atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, lake, and hills, paying attention to the overall composition.

  2. step 02

    Block in the sky with a base layer of purple and gray, adding hints of orange for the sunset.

  3. step 03

    Paint the distant mountains with varying shades of purple, using darker tones for shadows and lighter tones for highlights.

  4. step 04

    Add a layer of green and brown to the hills, varying the shades to create depth and form.

  5. step 05

    Paint the lake with a light gray-blue, reflecting the colors of the sky.

  6. step 06

    Add details to the foreground, such as trees and bushes, using darker greens and browns.

  7. step 07

    Refine the brushstrokes and add highlights to create texture and interest.

  8. step 08

    Add final details and adjust colors as needed to achieve the desired effect.

color palette

primary · purple · green · gray · white

secondary · orange · brown · blue

Mix purples by combining red and blue, add white to lighten. Create greens by mixing blue and yellow, add brown to mute. Achieve atmospheric perspective by adding more gray to distant colors.

techniques

  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying attention to the values and creating a flat, uninteresting landscape.
  • →Using too many colors and creating a muddy, confusing palette.
  • →Ignoring the atmospheric perspective and making the distant mountains too vibrant.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits or turpentine (for oil paint cleanup)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grit canvas for better texture. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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