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home·artworks·Lake Albano (Italy)
Lake Albano (Italy) by George Inness

plate no. 5351

Lake Albano (Italy)

George Inness, 1869

oil, canvasTonalismlandscapelakelandscapetreeshillsfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color and value changes. It also provides practice in rendering foliage and figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the shape of the lake, and the placement of the hill.

  2. step 02

    Establish the sky with a thin wash of light blue and gray, blending the colors softly.

  3. step 03

    Block in the distant hills with muted greens and blues, using lighter values for areas further away.

  4. step 04

    Paint the lake with a mix of blues, greens, and grays, reflecting the colors of the sky and surrounding landscape.

  5. step 05

    Add the foreground hill, using darker greens and browns, and indicate the path winding up the hill.

  6. step 06

    Paint the large tree, paying attention to the shape of the foliage and the direction of the branches.

  7. step 07

    Add the figures in the foreground, using small brushstrokes and muted colors to suggest their forms.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · viridian green · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna

Mix greens by combining viridian green with yellow ochre or raw umber. Create atmospheric perspective by adding white and a touch of blue to distant colors.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the figures too prominent or detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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