
plate no. 5351
George Inness, 1869
Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color and value changes. It also provides practice in rendering foliage and figures in a landscape setting.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the horizon line, the shape of the lake, and the placement of the hill.
Establish the sky with a thin wash of light blue and gray, blending the colors softly.
Block in the distant hills with muted greens and blues, using lighter values for areas further away.
Paint the lake with a mix of blues, greens, and grays, reflecting the colors of the sky and surrounding landscape.
Add the foreground hill, using darker greens and browns, and indicate the path winding up the hill.
Paint the large tree, paying attention to the shape of the foliage and the direction of the branches.
Add the figures in the foreground, using small brushstrokes and muted colors to suggest their forms.
Refine the details and adjust the values to create a sense of depth and atmosphere.
color palette
primary · viridian green · raw umber · titanium white · ultramarine blue
secondary · yellow ochre · burnt sienna
Mix greens by combining viridian green with yellow ochre or raw umber. Create atmospheric perspective by adding white and a touch of blue to distant colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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