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home·artworks·Lady Bird Johnson
Lady Bird Johnson by Aaron Shikler

plate no. 1317

Lady Bird Johnson

Aaron Shikler, 1978

oilNew Realismportraitportraitfiguredressflowerslandscapesky
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and fabric folds. It also provides practice in rendering a landscape background with depth and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and placement within the landscape.

  2. step 02

    Block in the large areas of color: sky, background trees, field of flowers, and the figure's dress.

  3. step 03

    Develop the sky with soft, blended brushstrokes, adding subtle variations in color to suggest clouds.

  4. step 04

    Refine the background trees, paying attention to the shapes and values of the foliage.

  5. step 05

    Add details to the field of flowers, using small brushstrokes to create texture and variation.

  6. step 06

    Begin to develop the figure, focusing on the light and shadow on the dress and the folds of the fabric.

  7. step 07

    Work on the portrait, paying close attention to the skin tones and facial features.

  8. step 08

    Add final details such as the hat, jewelry, and any highlights or shadows that enhance the overall effect.

color palette

primary · titanium white · cerulean blue · yellow ochre · sap green

secondary · ultramarine blue · burnt umber · alizarin crimson · cadmium yellow

Mix various shades of blue and white for the sky. Use yellow ochre and burnt umber for the hat. Mix greens with blues and yellows for the foliage. Create subtle skin tones with white, yellow ochre, and a touch of red.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tones.
  • →Creating a flat, lifeless sky.
  • →Ignoring the importance of light and shadow in defining form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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