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home·artworks·La Mosquée D’el Azar Au Caire
La Mosquée D’el Azar Au Caire by Eugène Girardet

plate no. 3648

La Mosquée D’el Azar Au Caire

Eugène Girardet

oilOrientalismgenre paintingarchitecturefiguresmarketstepsbuildingcityscape
some experience helpful

Recreating this painting will help students develop skills in depicting architectural details, rendering figures in light and shadow, and creating a sense of depth and atmosphere. It also provides practice in color mixing to achieve realistic skin tones and building textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements and figure placements, paying attention to perspective.

  2. step 02

    Establish the basic color blocks for the building, sky, and ground, using thin washes.

  3. step 03

    Begin building up layers of color on the building, focusing on light and shadow to create form.

  4. step 04

    Paint the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Add details to the market stall and surrounding objects, using smaller brushes.

  6. step 06

    Refine the architectural details, such as the arches and windows.

  7. step 07

    Adjust the values and colors throughout the painting to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · titanium white · cadmium red light

Mix various shades of ochre and sienna for the building, adding touches of blue and umber for shadows. Use white to lighten colors and create highlights. Mix blue and white for the sky and the clothing of some figures.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting the perspective wrong on the building.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt sienna, ultramarine blue, raw umber, titanium white, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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