apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·La Era (The Threshing Floor) 1904 (oil on canvas)
La Era (The Threshing Floor) 1904 (oil on canvas) by Diego Rivera

plate no. 1578

La Era (The Threshing Floor) 1904 (oil on canvas)

Diego Rivera, 1904

oil, canvasSocial Realismlandscapelandscapemountainhorsesfigurebuildingfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering textures with visible brushstrokes. It also provides practice in depicting figures and animals within a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, buildings, and figures.

  2. step 02

    Block in the large areas of color, starting with the sky and mountain.

  3. step 03

    Establish the ground plane with a base layer of warm yellows and oranges.

  4. step 04

    Add details to the buildings, including the roof and wall textures.

  5. step 05

    Paint the figures and horses, paying attention to their proportions and anatomy.

  6. step 06

    Refine the details in the foreground, adding shadows and highlights to create depth.

  7. step 07

    Add final touches to the sky and mountain, blending colors to create atmospheric perspective.

  8. step 08

    Review and adjust the overall composition and color harmony.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · ivory black · cadmium red

Achieve the ground color by mixing yellow ochre, burnt sienna, and a touch of red. The mountain is a mix of ultramarine blue, white, and a hint of burnt sienna. Use black and white to create the grays for the building.

techniques

  • ·blocking in
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Using colors straight from the tube without mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Triumph of the Revolution

Triumph of the Revolution

Diego Rivera

SONG DA HYDROELECTRIC

SONG DA HYDROELECTRIC

Tran Van Can

Police raid

Police raid

George Pemba

Belly Dancers

Belly Dancers

Nuri Iyem

Courtyard with Washing

Courtyard with Washing

John Bratby

Handball

Handball

Ben Shahn

The return of the penitent

The return of the penitent

Luke Fildes

Cross

Cross

Sue Coe