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home·artworks·La Collection Vernet
La Collection Vernet by Pietropoli Patrick

plate no. 2526

La Collection Vernet

Pietropoli Patrick

oil, linenContemporary Realismsketch and studyfiguresportraitswomenhairfacessketch
some experience helpful

Recreating this painting will help students develop skills in portrait sketching, layering paint, and creating a sense of depth with a limited color palette. It also encourages experimentation with visible brushstrokes to add texture and character.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the grid and the basic shapes of the figures, focusing on proportions and placement.

  2. step 02

    Block in the background with a thin layer of neutral gray, allowing some of the linen to show through.

  3. step 03

    Start layering in the skin tones, using a mix of white, ochre, and a touch of red. Build up the values gradually.

  4. step 04

    Paint the hair using a mix of brown and black, paying attention to the highlights and shadows.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Use white paint to suggest the clothing, applying it with loose, expressive brushstrokes.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · ivory black · cadmium red light

Mix white with small amounts of ochre and red for skin tones. Use burnt umber and black for hair, adding white for highlights. Achieve the background gray by mixing white, black, and a touch of umber.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·limited palette
  • ·portrait sketching

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Using too much paint and creating a heavy, muddy effect.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of the background in creating depth and atmosphere.

materials

surface · stretched linen canvas

required

  • ·stretched linen canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A pre-primed linen canvas is recommended for its texture and ability to hold paint. Use artist-grade oil paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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