apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kovnirovsky building (Kiev-Pechersk Lavra)
Kovnirovsky building (Kiev-Pechersk Lavra) by Yuriy Khymych

plate no. 8756

Kovnirovsky building (Kiev-Pechersk Lavra)

Yuriy Khymych, 1970

gouachePost-Impressionismcityscapebuildingarchitectureskytreescityscape
some experience helpful

Recreating this painting will help students develop skills in simplifying complex architectural forms and using a limited palette to create a cohesive and atmospheric cityscape. It also encourages practice in layering and defining shapes with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building and its surroundings, focusing on proportions and perspective.

  2. step 02

    Block in the sky with a light, diluted wash of white and a touch of blue.

  3. step 03

    Establish the main color blocks of the building using a mid-tone base, mixing the primary colors.

  4. step 04

    Add darker values to define shadows and architectural details, using blues and browns.

  5. step 05

    Introduce highlights with lighter tones of the base color, focusing on areas where light hits the building.

  6. step 06

    Paint the trees with dark, gestural strokes, simplifying their form.

  7. step 07

    Refine the details of the architectural elements, such as windows and ornamentation, using a smaller brush.

  8. step 08

    Add final touches to the sky and ground, ensuring a harmonious balance of color and tone.

color palette

primary · beige · blue · white

secondary · green · brown

The beige is achieved by mixing white, yellow ochre, and a touch of burnt umber. Varying the amount of blue added to the beige creates the shadows and highlights on the building.

techniques

  • ·dry brush texture
  • ·layering
  • ·color mixing
  • ·simplification of form
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.
  • →Ignoring the importance of value contrast in creating depth and form.
  • →Failing to simplify the complex architectural details, leading to a cluttered and confusing composition.

materials

surface · watercolor paper 140lb

required

  • ·Gouache paints (beige, blue, white, green, brown)
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Watercolor paper or mixed media paper
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil

optional

  • ·palette knife
  • ·ruler
  • ·easel

Using a heavier weight paper will prevent buckling when applying multiple layers of gouache. Consider using artist-grade gouache for richer pigments and better blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov