apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Knocking off the Fork
Knocking off the Fork by Oliver Kilbourn

plate no. 3661

Knocking off the Fork

Oliver Kilbourn, 1975

oilSocial Realismgenre paintingminecoaltunnelfigurecartsindustry
some experience helpful

Recreating this painting will help students understand perspective, value shading to create depth, and how to depict a scene with a limited color palette. It also provides practice in painting figures in a realistic, albeit simplified, style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the tunnel and the placement of the carts and figure.

  2. step 02

    Establish the darkest values in the background and the coal in the carts.

  3. step 03

    Block in the mid-tones for the tunnel walls, supports, and carts, paying attention to the light source.

  4. step 04

    Add highlights to the carts and tunnel supports to create a sense of depth and form.

  5. step 05

    Paint the figure, starting with the basic shapes and then adding details like clothing and facial features.

  6. step 06

    Refine the details of the coal carts, adding texture and variation to the coal.

  7. step 07

    Add the thin line representing the cable or rope.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic scene.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white · yellow ochre

Mix burnt umber and black for the darkest areas. Use raw sienna and white for the lighter areas of the tunnel. Add small amounts of yellow ochre to warm up the browns.

techniques

  • ·linear perspective
  • ·value shading
  • ·dry brushing
  • ·atmospheric perspective
  • ·limited palette

common pitfalls

  • →Incorrect perspective will flatten the image.
  • →Over-blending can make the painting look muddy.
  • →Ignoring value changes will make the forms look flat.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brush #4
  • ·flat brush #8
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for dry brushing techniques. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

SONG DA HYDROELECTRIC

SONG DA HYDROELECTRIC

Tran Van Can

Police raid

Police raid

George Pemba

Belly Dancers

Belly Dancers

Nuri Iyem

Courtyard with Washing

Courtyard with Washing

John Bratby

Handball

Handball

Ben Shahn

The return of the penitent

The return of the penitent

Luke Fildes

Cross

Cross

Sue Coe

Commotion

Commotion

Philip Evergood