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Kitchen by Stefan Luchian

plate no. 6420

Kitchen

Stefan Luchian

oilPost-Impressionisminteriorkitchenstovepotspansinteriorutensils
some experience helpful

Recreating this painting will help students develop skills in depicting form using subtle value changes and capturing the essence of a scene with loose, expressive brushstrokes. It also encourages observation of light and shadow in a simple interior setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the stove, pots, and other objects, focusing on their relative sizes and positions.

  2. step 02

    Block in the large areas of color, starting with the white walls and stove, using a diluted wash.

  3. step 03

    Add the darker values to create shadows and define the forms of the objects.

  4. step 04

    Mix and apply the colors for the pots and pans, paying attention to the subtle variations in hue and value.

  5. step 05

    Use short, broken brushstrokes to create texture and add visual interest.

  6. step 06

    Refine the details of the objects, such as the handles of the pots and the edges of the stove.

  7. step 07

    Add the hanging utensils on the wall, paying attention to their shapes and shadows.

  8. step 08

    Make final adjustments to the colors and values to create a sense of depth and atmosphere.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · raw sienna · cadmium red light

Mix various shades of white with small amounts of blue and umber to create the subtle variations in the walls and stove. Use umber and red to create the browns and oranges of the pots. Mix blue with umber to create the darker tones.

techniques

  • ·dry brush
  • ·scumbling
  • ·value studies
  • ·limited palette
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle value changes that define the forms.
  • →Not paying attention to the relative sizes and positions of the objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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