apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Kirkcudbright, Street Corner
Kirkcudbright, Street Corner by Samuel Peploe

plate no. 5533

Kirkcudbright, Street Corner

Samuel Peploe, 1917

oilPost-Impressionismcityscapebuildingsstreetchimneysshadowsarchitecturetown
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and use color temperature to create depth and form. It's a good exercise in capturing light and shadow with bold brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and street, focusing on proportions and perspective.

  2. step 02

    Block in the main color areas for the buildings, sky, and ground, using thin washes.

  3. step 03

    Define the shadows and highlights on the buildings, paying attention to the direction of the light.

  4. step 04

    Add details to the windows, doors, and chimneys, using thicker paint and more defined brushstrokes.

  5. step 05

    Refine the colors and values, blending edges where necessary and adding texture with dry brush techniques.

  6. step 06

    Add the details of the street and any foreground elements.

  7. step 07

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · viridian green · violet

Mix various shades of white with yellow ochre and a touch of blue to create the light tones of the buildings. Use ultramarine blue and burnt umber to create the cooler shadows. Add cadmium red to create the red of the doors.

techniques

  • ·blocking in
  • ·color mixing
  • ·dry brush
  • ·scumbling
  • ·simplification

common pitfalls

  • →Overworking the details and losing the simplicity of the original painting.
  • →Not paying attention to the color temperature of the shadows and highlights.
  • →Failing to simplify the complex shapes of the buildings.
  • →Using too much detail in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (titanium white, yellow ochre, ultramarine blue, burnt umber, cadmium red)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil or solvent
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov