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home·artworks·Killary Bay, Connemara
Killary Bay, Connemara by Paul Henry

plate no. 9045

Killary Bay, Connemara

Paul Henry, 1925

oilPost-Impressionismlandscapecottagesmountainslandscapeskycloudswater
some experience helpful

Recreating this painting will help students develop skills in layering colors to create atmospheric perspective and practice simplified brushwork to suggest texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, cottages, and clouds, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with a light, muted color, blending it smoothly.

  3. step 03

    Paint the distant mountains with progressively darker and cooler grays to create depth.

  4. step 04

    Establish the base colors of the foreground landscape, using a mix of browns, yellows, and greens.

  5. step 05

    Add details to the cottages, including the thatched roofs and shadowed areas.

  6. step 06

    Refine the foreground texture with short, broken brushstrokes.

  7. step 07

    Add highlights to the cottages and landscape to create a sense of light.

  8. step 08

    Make final adjustments to the colors and values to unify the painting.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · burnt sienna · payne's gray

Mix muted grays for the mountains by combining raw umber, titanium white, and a touch of payne's gray. Achieve the foreground colors by blending yellow ochre, burnt sienna, and raw umber with varying amounts of white.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details in the foreground.
  • →Failing to create a sense of depth in the mountains.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle value changes in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of oil paints to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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