
plate no. 9045
Paul Henry, 1925
Recreating this painting will help students develop skills in layering colors to create atmospheric perspective and practice simplified brushwork to suggest texture.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains, cottages, and clouds, paying attention to their relative sizes and positions.
Block in the sky with a light, muted color, blending it smoothly.
Paint the distant mountains with progressively darker and cooler grays to create depth.
Establish the base colors of the foreground landscape, using a mix of browns, yellows, and greens.
Add details to the cottages, including the thatched roofs and shadowed areas.
Refine the foreground texture with short, broken brushstrokes.
Add highlights to the cottages and landscape to create a sense of light.
Make final adjustments to the colors and values to unify the painting.
color palette
primary · titanium white · raw umber · yellow ochre
secondary · burnt sienna · payne's gray
Mix muted grays for the mountains by combining raw umber, titanium white, and a touch of payne's gray. Achieve the foreground colors by blending yellow ochre, burnt sienna, and raw umber with varying amounts of white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette of oil paints to simplify the color mixing process.
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