apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·July 14th at Havre
July 14th at Havre by Albert Marquet

plate no. 6892

July 14th at Havre

Albert Marquet, 1906

oilPost-Impressionismcityscapecityscapebuildingsflagsstreetfiguressky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and capturing the essence of light and atmosphere with expressive brushstrokes. It also encourages exploration of color mixing to achieve nuanced grays and muted tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, flags, and figures, focusing on proportions and perspective.

  2. step 02

    Block in the large areas of color, starting with the sky and the buildings' general tones.

  3. step 03

    Add the darker values to define the shadows and architectural details.

  4. step 04

    Paint the flags, paying attention to their shapes and the way they hang.

  5. step 05

    Introduce the figures and other details in the foreground.

  6. step 06

    Refine the colors and values, blending where necessary to create a sense of atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Step back and adjust the composition as needed.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · ivory black · cadmium red

Mix various combinations of blue, sienna, and white to create the grays and blues of the buildings and sky. Use red and sienna for the flags. Add small amounts of yellow ochre to warm the grays.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·simplified forms
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating colors that are too bright or saturated.
  • →Failing to establish a clear sense of perspective.
  • →Getting bogged down in details of the flags.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (#4, #6, #8)
  • ·palette
  • ·linseed oil
  • ·palette knife
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·view finder

Use a medium-tooth canvas to allow for expressive brushwork. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov