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home·artworks·Julie Lemmen Sleeping in an Armchair
Julie Lemmen Sleeping in an Armchair by Georges Lemmen

plate no. 8083

Julie Lemmen Sleeping in an Armchair

Georges Lemmen

oilPost-Impressionismportraitfigureportraitchairdressinteriorfurniture
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with soft pastels and creating a sense of depth through layering and blending. It also provides practice in depicting the human form and drapery.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, chair, and background.

  2. step 02

    Establish the overall value structure with light and dark areas using a neutral pastel.

  3. step 03

    Begin layering in the local colors of the dress, chair, and background.

  4. step 04

    Focus on blending and softening edges to create a hazy, dreamlike effect.

  5. step 05

    Add highlights and shadows to define the form and create depth.

  6. step 06

    Refine the details of the face and hands, paying attention to the subtle nuances of light and shadow.

  7. step 07

    Add final touches and adjust the overall composition as needed.

  8. step 08

    Use fixative spray to protect the pastel surface.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · raw sienna

Mix yellow ochre and white for the dress highlights. Use burnt umber and ultramarine blue for the darker areas of the chair and background. Raw sienna can be used to warm up the background tones.

techniques

  • ·pastel blending
  • ·layering
  • ·scumbling
  • ·soft edges
  • ·value studies

common pitfalls

  • →Overblending, which can result in a muddy or flat appearance.
  • →Ignoring the underlying value structure, which can lead to a lack of depth.
  • →Being too literal with color, instead of focusing on the overall mood and atmosphere.
  • →Not using fixative, which can cause the pastel to smudge.

materials

surface · toned pastel paper

required

  • ·Soft pastels (assorted colors)
  • ·Pastel paper (toned)
  • ·Kneaded eraser
  • ·Blending stumps or tortillons
  • ·Fixative spray
  • ·Drawing board
  • ·Paper towels

optional

  • ·Palette knife
  • ·Workable fixative
  • ·Easel

Choose a pastel paper with a slightly rough texture to grip the pastel. A toned paper will make it easier to establish the value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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