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home·artworks·Jewish Girl in Belgrade
Jewish Girl in Belgrade by Nadežda Petrović

plate no. 1114

Jewish Girl in Belgrade

Nadežda Petrović, 1908

oilPost-Impressionismcityscapestreetbuildingsfigurecityscapehousespath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and using a limited palette to create a cohesive and harmonious composition. It also provides practice in capturing light and shadow on architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and the placement of the buildings and figure.

  2. step 02

    Establish the overall color scheme by applying a thin wash of warm underpainting.

  3. step 03

    Block in the main shapes of the buildings, using variations of ochre, brown, and white.

  4. step 04

    Add details to the buildings, such as windows and roof tiles, using small, deliberate brushstrokes.

  5. step 05

    Paint the figure, paying attention to the folds of the clothing and the play of light and shadow.

  6. step 06

    Develop the street surface with varied tones of gray, brown, and ochre, suggesting texture and depth.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Refine the details and adjust the colors to achieve a harmonious and atmospheric effect.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Add small amounts of blue to create cooler shadows.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much color and creating a jarring composition.
  • →Failing to establish a strong sense of perspective.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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