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home·artworks·Jeune femme de Paris
Jeune femme de Paris by Jozsef Rippl-Ronai

plate no. 4657

Jeune femme de Paris

Jozsef Rippl-Ronai

oilPost-Impressionismportraitportraitwomanflowershatvasetable
some experience helpful

Recreating this painting will help students develop skills in layering paint, creating soft edges, and capturing subtle variations in tone and color within a limited palette. It also encourages simplification of forms and focusing on overall impression rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figure, vases, and hat.

  2. step 02

    Establish the overall dark background tone using a mix of burnt umber and black.

  3. step 03

    Block in the main areas of color, starting with the darkest shadows and gradually adding lighter tones.

  4. step 04

    Focus on the skin tones, mixing ochre, white, and a touch of red for warmth.

  5. step 05

    Add details to the flowers and hat, using small brushstrokes to create texture.

  6. step 06

    Refine the shapes and edges, softening some areas and sharpening others to create depth.

  7. step 07

    Add highlights to the vases and face to create a sense of light and form.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red light · ultramarine blue

Achieve the muted tones by mixing complementary colors (red and green, blue and orange) with white and umber. Use small amounts of red and blue to create subtle variations in the skin tones and shadows.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using too much bright color and overpowering the muted palette.
  • →Creating hard edges that detract from the soft, atmospheric feel.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for better paint adhesion and brushwork visibility. Consider using a toned canvas to establish a base color and simplify the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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