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home·artworks·Jericho
Jericho by Konstantin Gorbatov

plate no. 1684

Jericho

Konstantin Gorbatov, 1935

oil, canvasPost-Impressionismcityscapecityscapearchitecturemountainsskypalm treeslandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve warm light effects and learn to simplify complex architectural forms into basic shapes. It also provides practice in creating depth through atmospheric perspective and layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the city, mountain, and sky, paying attention to proportions and overall composition.

  2. step 02

    Block in the main color areas using thin washes of color, focusing on the overall value structure.

  3. step 03

    Begin layering colors to build up the forms of the buildings, using warmer tones for areas in direct sunlight and cooler tones for shadows.

  4. step 04

    Add details to the architecture, such as windows, arches, and rooftops, using smaller brushes.

  5. step 05

    Paint the sky and mountains, blending colors to create a sense of atmosphere and depth.

  6. step 06

    Add the palm trees and foreground details, paying attention to their shapes and textures.

  7. step 07

    Refine the overall painting, adjusting colors and values as needed to create a cohesive and harmonious image.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · raw sienna · viridian

Achieve the warm, sunlit tones by mixing yellow ochre with burnt umber and a touch of cadmium red. Use ultramarine blue and white to create the cool tones in the sky and shadows. Add viridian to create the green tones of the palm trees.

techniques

  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·atmospheric perspective
  • ·blocking in

common pitfalls

  • →Overworking the details in the architecture.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the overall value structure of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 flat brush

optional

  • ·palette knife
  • ·easel
  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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