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home·artworks·Javanese dancer
Javanese dancer by Romualdo Locatelli

plate no. 6101

Javanese dancer

Romualdo Locatelli, 1939

oil, canvasOrientalismgenre paintingfiguredancertraditional clothingportraitperformanceculture
some experience helpful

Recreating this painting will help students develop skills in capturing movement, simplifying complex forms, and using a limited palette to create a sense of depth and atmosphere. It also provides an opportunity to practice loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic figure pose and proportions onto the canvas.

  2. step 02

    Block in the main areas of color using thin washes of paint, focusing on the overall value structure.

  3. step 03

    Gradually build up the darker tones in the background and clothing, using thicker paint.

  4. step 04

    Add highlights to the figure's face, hands, and clothing, paying attention to the direction of light.

  5. step 05

    Refine the details of the face and headdress, using smaller brushes.

  6. step 06

    Develop the drapery and folds in the clothing, using a combination of blending and dry brushing.

  7. step 07

    Add final touches and adjustments to the overall composition and color balance.

  8. step 08

    Let dry and add a varnish.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use yellow ochre and ivory black to create muted greens for the clothing. Add cadmium red light to the skin tone mix for the red clothing.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the sense of movement in the figure.
  • →Not paying attention to the value structure and creating a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red light, yellow ochre, ivory black)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

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