apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jardin de campagne
Jardin de campagne by Marie Duhem

plate no. 4592

Jardin de campagne

Marie Duhem

oilPost-Impressionismlandscapegardenflowersbuildingpathtreesshutters
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into impressionistic brushstrokes. It also provides practice in creating a sense of atmosphere and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, path, and flower beds.

  2. step 02

    Block in the main colors of the building, using a mix of warm and cool tones.

  3. step 03

    Establish the dark areas of the trees and foliage.

  4. step 04

    Begin layering in the colors of the flowers, starting with the larger shapes and then adding details.

  5. step 05

    Create the path using a range of browns and grays, paying attention to the perspective.

  6. step 06

    Add highlights and shadows to the building and flowers to create depth.

  7. step 07

    Refine the details of the trees and foliage, using short, broken brushstrokes.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · sap green · violet

Mix white with yellow ochre and a touch of burnt umber for the building. Create greens by mixing ultramarine blue and yellow ochre. Achieve the red flowers by mixing cadmium red with a touch of burnt umber.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·impressionistic brushstrokes
  • ·color mixing

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the building and foliage.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·violet oil paint
  • ·sap green oil paint

Use a medium-textured canvas to help create a broken color effect. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov