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home·artworks·Jane Breathitt Sappington
Jane Breathitt Sappington by George Caleb Bingham

plate no. 2140

Jane Breathitt Sappington

George Caleb Bingham, 1834

oilNaïve Art (Primitivism)portraitportraitfigureclothinglaceheadwear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in subtle color mixing and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values of the background, clothing, and face.

  3. step 03

    Mix skin tones using a limited palette and apply them to the face, building up layers of color and value.

  4. step 04

    Carefully render the details of the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Paint the clothing, focusing on the folds and textures of the fabric.

  6. step 06

    Render the lace details of the headwear and collar, using fine brushes and light colors.

  7. step 07

    Add the small floral pattern on the collar.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. Dark areas are created by adding black and umber. The lace is primarily white with subtle gray shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to capture the likeness of the subject.
  • →Making the lace look flat and lifeless.
  • →Not paying attention to the subtle value changes in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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