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home·artworks·Italian's house at Monmartre
Italian's house at Monmartre by Maurice Utrillo

plate no. 8385

Italian's house at Monmartre

Maurice Utrillo

oil, panelPost-Impressionismcityscapebuildingsstreetfiguresskywindowsshutters
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for muted tones, and creating texture with visible brushstrokes. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the sky with a thin wash of muted pinks and oranges.

  3. step 03

    Establish the basic colors of the buildings: white for the main building, green for the building on the left, and hints of color for the roof.

  4. step 04

    Add the darker tones to define shadows and architectural details like windows and doors.

  5. step 05

    Mix various shades of green and apply to the shutters, balconies, and foliage.

  6. step 06

    Use short, broken brushstrokes to create texture on the walls and street.

  7. step 07

    Add the figures in the distance with simple shapes and colors.

  8. step 08

    Refine details and add highlights to create depth and interest.

color palette

primary · titanium white · sap green · raw umber

secondary · cadmium yellow · burnt sienna · ultramarine blue

Achieve the muted tones by mixing complementary colors (e.g., green and red, blue and orange) with white. Use raw umber to darken colors and create shadows.

techniques

  • ·broken color
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating colors that are too bright or saturated.
  • →Ignoring the perspective and creating distorted buildings.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium yellow oil paint
  • ·ultramarine blue oil paint
  • ·assorted flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Using a toned canvas (e.g., with a thin wash of raw umber) can help to unify the colors and create a more harmonious painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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