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home·artworks·Isenheim Altarpiece (third view)
Isenheim Altarpiece (third view) by Matthias Grünewald

plate no. 1994

Isenheim Altarpiece (third view)

Matthias Grünewald, 1515

oil, woodNorthern Renaissancereligious paintingfigureslandscapereligious scenealtarpiecearchitecturesculpture
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as understanding atmospheric perspective in landscape painting. It also provides practice in capturing the texture and light on sculpted surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed sketch of the overall composition, focusing on accurate proportions and placement of figures.

  2. step 02

    Establish the background landscape in the left and right panels, paying attention to atmospheric perspective.

  3. step 03

    Block in the main figures in each panel with basic shapes and values.

  4. step 04

    Develop the drapery and details of the figures, using layering and glazing techniques.

  5. step 05

    Carefully render the sculpted figures in the central panels, focusing on light and shadow to create depth.

  6. step 06

    Add details to the architectural elements and decorative carvings.

  7. step 07

    Refine the colors and values throughout the painting, ensuring harmony and balance.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · viridian green · ivory black

Achieve the muted tones by mixing complementary colors and using glazes. The gold tones are created by layering yellow ochre, burnt umber, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering drapery

common pitfalls

  • →Inaccurate proportions of figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Inconsistent lighting across the panels.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, cadmium red, viridian green, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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