apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Interior of the Great Mosque, (Ulucami) Bursa, Turkey
Interior of the Great Mosque, (Ulucami) Bursa, Turkey by John Frederick Lewis

plate no. 2251

Interior of the Great Mosque, (Ulucami) Bursa, Turkey

John Frederick Lewis, 1841

watercolor, gouacheOrientalismsketch and studymosqueinteriorarchitecturefiguresarchescalligraphy
some experience helpful

Recreating this painting will help students develop skills in architectural drawing, perspective, and creating a sense of depth using subtle value changes. It also provides practice in depicting figures in a loose, suggestive style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure, focusing on the arches and columns.

  2. step 02

    Establish the main perspective lines to guide the placement of elements.

  3. step 03

    Block in the large areas of color with diluted washes, starting with the lightest tones.

  4. step 04

    Gradually build up the darker values, paying attention to the light source and shadows.

  5. step 05

    Add details to the architectural elements, such as the calligraphy and decorative patterns.

  6. step 06

    Paint the figures with loose brushstrokes, suggesting their forms and positions.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw sienna · burnt umber · ivory black

secondary · cadmium red light · cerulean blue

Achieve the muted tones by mixing raw sienna and burnt umber with small amounts of ivory black. Use red and blue sparingly for accents.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the details and losing the loose, sketch-like quality.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the perspective and distorting the architectural forms.
  • →Using colors that are too saturated, which can clash with the overall muted palette.

materials

surface · watercolor paper (140lb)

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·graphite pencil
  • ·kneaded eraser
  • ·palette
  • ·water container
  • ·masking tape

optional

  • ·ruler
  • ·compass
  • ·palette knife
  • ·gouache

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Consider using a tinted paper for a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti