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home·artworks·Interior of An Eastern House
Interior of An Eastern House by John Frederick Lewis

plate no. 7382

Interior of An Eastern House

John Frederick Lewis, 1851

watercolor, gouacheOrientalismsketch and studyinteriorarchitectureroomfurniturewindowscarpet
some experience helpful

Recreating this painting will help students develop skills in perspective drawing and rendering complex architectural details with a limited color palette. It also provides practice in creating a sense of depth and light within an interior space.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light pencil sketch to establish the basic perspective and proportions of the room.

  2. step 02

    Focus on accurately placing the architectural elements like columns, arches, and windows.

  3. step 03

    Block in the main areas of color, starting with the lightest tones and gradually adding darker values.

  4. step 04

    Pay attention to the direction of light and shadow to create a sense of depth.

  5. step 05

    Add details to the architectural elements, such as the decorative patterns on the ceiling and walls.

  6. step 06

    Render the furniture and accessories, paying attention to their textures and patterns.

  7. step 07

    Refine the details and adjust the values to create a cohesive and balanced composition.

  8. step 08

    Add final touches, such as highlights and shadows, to enhance the sense of realism.

color palette

primary · beige · red-brown · gray

secondary · yellow · blue · green

Mix the beige by combining white with small amounts of brown and yellow. Achieve the red-brown by mixing red, brown, and a touch of black. Vary the intensity of colors by adding white or water.

techniques

  • ·linear perspective
  • ·watercolor washes
  • ·dry brushing
  • ·color layering
  • ·hatching

common pitfalls

  • →Inaccurate perspective can ruin the sense of depth and realism.
  • →Overworking the details can make the painting look cluttered and busy.
  • →Using too much color can overwhelm the subtle tones of the original.
  • →Ignoring the direction of light can flatten the image.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·gouache paints
  • ·watercolor paper
  • ·graphite pencils
  • ·round brushes (small and medium)
  • ·kneaded eraser
  • ·ruler

optional

  • ·palette knife
  • ·masking fluid
  • ·watercolor pencils

Use a smooth watercolor paper to allow for even washes. Consider using masking fluid to preserve highlights.

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watercolor techniques →how to learn by studying the masters →
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