apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In the mosque
In the mosque by Théodore Ralli

plate no. 9368

In the mosque

Théodore Ralli, 1891

oil, canvasOrientalismgenre paintingfiguresinteriorcolumnsmosquepigeonsarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit environment and understanding how to create depth using atmospheric perspective and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main colors of the figures, columns, and floor, paying attention to the light and shadow.

  4. step 04

    Begin refining the details of the figures, focusing on the drapery and facial expressions.

  5. step 05

    Add the pigeons, paying attention to their anatomy and interaction with the light.

  6. step 06

    Develop the architectural details of the columns and floor, creating a sense of depth and space.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · viridian

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use thin glazes to build up depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·viridian oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before beginning to paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti