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home·artworks·In the Harbour of Algiers
In the Harbour of Algiers by Anders Zorn

plate no. 8965

In the Harbour of Algiers

Anders Zorn, 1887

oilOrientalismgenre paintingfigureswaterharborarchitectureboatcityscape
some experience helpful

Recreating this painting will help students develop skills in depicting reflected light on water and rendering draped fabric with subtle value changes. It also provides practice in creating atmospheric perspective to suggest depth in a cityscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: figures, buildings, and water.

  2. step 02

    Establish the horizon line and the basic perspective of the buildings.

  3. step 03

    Block in the large areas of color, focusing on the overall value structure.

  4. step 04

    Develop the water with horizontal strokes, capturing the reflections of the buildings and figures.

  5. step 05

    Refine the figures, paying attention to the folds and shadows in the fabric.

  6. step 06

    Add details to the buildings, such as windows and arches, using a smaller brush.

  7. step 07

    Create atmospheric perspective by softening the edges and lightening the values of the distant buildings.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · ivory black · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna

Achieve the muted tones by mixing white with small amounts of black, blue, and umber. Use yellow ochre and burnt umber to create the warm tones of the buildings.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to capture the subtle value changes in the fabric.
  • →Ignoring the atmospheric perspective, which can make the cityscape appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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