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home·artworks·In the Garden
In the Garden by Thomas Dewing

plate no. 4543

In the Garden

Thomas Dewing, 1894

oilTonalismgenre paintingfiguresgardendresseslandscapetreesmoon
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating soft, blended transitions between colors. It also provides practice in capturing the subtle nuances of light and shadow to create a sense of depth and mood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Establish the overall color scheme with a thin wash of muted greens and blues for the background.

  3. step 03

    Block in the figures with simplified shapes and values, paying attention to their proportions and poses.

  4. step 04

    Begin blending the colors in the background to create a soft, atmospheric effect.

  5. step 05

    Refine the details of the figures, adding subtle highlights and shadows to define their forms.

  6. step 06

    Add the small details like the flowers and the pot to add interest.

  7. step 07

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · viridian green · ivory black · raw umber · titanium white

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix greens by blending viridian green, raw umber, and ivory black. Use white to create lighter values and yellow ochre to warm the tones. Achieve the skin tones by mixing white, burnt sienna, and a touch of yellow ochre.

techniques

  • ·wet-on-wet blending
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·color layering

common pitfalls

  • →Overworking the details and losing the soft, atmospheric quality.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and distance.
  • →Not blending the colors sufficiently, resulting in a choppy or uneven surface.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·retouch varnish
  • ·painting medium

Use a high-quality canvas primed with oil-based primer for best results. Consider using a medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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