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home·artworks·In the Fields
In the Fields by Henri Rousseau

plate no. 4681

In the Fields

Henri Rousseau, 1910

oil, canvasNaïve Art (Primitivism)genre paintingcowstreesfieldfigureskylandscape
some experience helpful

Recreating this painting will help students practice layering colors to create texture and understand how to simplify complex forms into basic shapes. It also encourages observation of details in nature and translating them into a stylized representation.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the composition: horizon line, trees, cows, and figure.

  2. step 02

    Block in the sky with a light blue, creating a smooth, even tone.

  3. step 03

    Establish the base colors for the field, using a mix of greens and yellows.

  4. step 04

    Paint the large tree on the right, using small brushstrokes to create the texture of the leaves.

  5. step 05

    Add the cypress trees in the background, focusing on their elongated shapes and variations in color.

  6. step 06

    Paint the cows, starting with a dark brown base and adding highlights and shadows to define their form.

  7. step 07

    Add the figure, paying attention to the simple shapes and colors of the clothing.

  8. step 08

    Refine details and add final touches, such as highlights on the cows and subtle variations in the grass.

color palette

primary · sky blue · green · brown · yellow

secondary · red · dark green · light yellow

Mix greens by combining blues and yellows, adding small amounts of brown or black to darken the tones. Achieve the brown for the cows by mixing burnt umber, sienna, and a touch of red.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overcomplicating the details of the leaves on the trees.
  • →Making the colors too saturated and unrealistic.
  • →Losing the overall simplicity of the composition.
  • →Not paying attention to the relative sizes and proportions of the elements.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (sky blue, green, brown, yellow, red, black, white)
  • ·Assorted brushes (small round, medium flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium gloss

Use a limited palette to simplify color mixing. Consider using a medium to thin the oil paints for smoother blending.

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