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home·artworks·In Sergiyev Posad
In Sergiyev Posad by Konstantin Yuon

plate no. 6688

In Sergiyev Posad

Konstantin Yuon, 1911

oilPost-Impressionismcityscapecityscapesnowbuildingsfigureshorsestrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many small details. It also provides practice in creating a sense of depth and distance using value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the buildings and the horizon line.

  2. step 02

    Establish the basic color washes for the sky and snow, using diluted paint.

  3. step 03

    Block in the larger masses of the buildings with their dominant colors, paying attention to the light and shadow.

  4. step 04

    Add the trees, starting with the trunks and branches, then suggesting the foliage with small dabs of paint.

  5. step 05

    Paint the figures and horses, simplifying their forms and focusing on their silhouettes.

  6. step 06

    Refine the details of the buildings, adding windows, roofs, and other architectural elements.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Finish by adding small details like the birds in the sky and the texture of the snow.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · raw umber · cadmium red

Mix white with small amounts of blue and sienna to create the cool tones of the snow and sky. Use sienna and red for the buildings, adjusting the mixture for highlights and shadows.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·broken color

common pitfalls

  • →Getting bogged down in too much detail too early.
  • →Failing to establish a clear sense of depth.
  • →Making the colors too saturated or intense.
  • →Ignoring the subtle variations in the snow color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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