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home·artworks·Impressions of Cairo
Impressions of Cairo by Cesare Biseo

plate no. 3034

Impressions of Cairo

Cesare Biseo, 1870

oil, canvasOrientalismcityscapearchitecturebuildingskycityscapedonkeyruins
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering architectural forms with simplified shapes and values. It also provides practice in mixing earth tones and creating subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the building, walls, and sky, paying attention to proportions.

  2. step 02

    Block in the sky with a thin wash of blue, leaving some areas lighter for clouds.

  3. step 03

    Establish the basic values of the building and walls using a mix of earth tones.

  4. step 04

    Add details to the architecture, such as windows, arches, and the dome, using darker values.

  5. step 05

    Create texture on the building surfaces with visible brushstrokes and dry brushing.

  6. step 06

    Paint the ground plane with a mix of warm and cool earth tones, suggesting variations in the surface.

  7. step 07

    Add the figures of the donkey and rider with simplified shapes and values.

  8. step 08

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · ultramarine blue · burnt sienna · raw umber · titanium white

secondary · yellow ochre · cadmium yellow light

Mix the sky color by combining ultramarine blue with white, adding a touch of yellow ochre for warmth. Create the building colors by mixing burnt sienna, raw umber, and white in varying proportions. Use yellow ochre and cadmium yellow light for highlights.

techniques

  • ·blocking in
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Using colors straight from the tube without mixing
  • →Ignoring the importance of value contrast
  • →Not establishing a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas for easier value establishment.

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