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home·artworks·Imam Presiding over Prayer
Imam Presiding over Prayer by Nasreddine Dinet

plate no. 2379

Imam Presiding over Prayer

Nasreddine Dinet, 1922

oil, canvasOrientalismgenre paintingfiguresarchitecturelandscapeprayerMiddle Eastreligion
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and creating a sense of depth through atmospheric perspective. It also provides practice in rendering fabric and skin tones under warm light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the buildings in the background.

  2. step 02

    Establish the horizon line and the basic shapes of the buildings.

  3. step 03

    Block in the main color masses for the sky, buildings, and ground.

  4. step 04

    Start adding details to the figures, focusing on the folds of the fabric and the facial features.

  5. step 05

    Refine the colors and values, paying attention to the light and shadow.

  6. step 06

    Add details to the background buildings, using lighter values to create a sense of distance.

  7. step 07

    Add final highlights and details to the figures and the foreground.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · burnt sienna · titanium white · ivory black

secondary · cadmium red light · ultramarine blue · raw umber

Achieve the warm, earthy tones by mixing yellow ochre, burnt sienna, and white. Use small amounts of ultramarine blue to cool down the colors and create shadows.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Using too much white, which can make the colors look chalky.
  • →Ignoring the subtle color variations in the fabric and skin tones.
  • →Failing to create a sense of depth through atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the warm color palette.

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