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home·artworks·Illusory Flowage
Illusory Flowage by Neil Welliver

plate no. 8119

Illusory Flowage

Neil Welliver, 1996

oil, canvasContemporary Realismlandscapetreeswaterskycloudsreflectionlandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve realistic greens and blues, and in creating convincing reflections in water. It also provides practice in simplifying complex natural forms into basic shapes.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like trees and water.

  2. step 02

    Block in the sky and water with light blue and white, paying attention to the cloud shapes.

  3. step 03

    Paint the distant trees and foliage with darker greens, gradually lightening the greens as you move closer to the foreground.

  4. step 04

    Create the reflections in the water by mirroring the colors and shapes of the sky and trees, but with slightly blurred edges.

  5. step 05

    Add details to the foreground, such as individual blades of grass and branches.

  6. step 06

    Refine the colors and values throughout the painting to create depth and realism.

  7. step 07

    Add final highlights and shadows to enhance the form of the trees and clouds.

  8. step 08

    Allow to dry and add a varnish coat.

color palette

primary · cerulean blue · titanium white · sap green · yellow ochre

secondary · burnt umber · cadmium yellow light · payne's gray

Mix greens by combining sap green with yellow ochre and a touch of burnt umber for darker shades. Create cloud shadows by mixing white with a small amount of Payne's gray and blue.

techniques

  • ·blocking in
  • ·layering
  • ·scumbling
  • ·creating reflections
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Making the reflections too sharp and defined.
  • →Using too much pure color without mixing.
  • →Incorrectly proportioning the reflections

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (Liquin)
  • ·varnish

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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