apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Il giardino d'Italia
Il giardino d'Italia by Alberto Sughi

plate no. 8894

Il giardino d'Italia

Alberto Sughi, 1973

oilContemporary Realismlandscapetreeslandscapefoliagegardenskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to represent complex forms with simplified brushstrokes. It also encourages observation of subtle value changes within a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the large foliage masses and architectural elements.

  2. step 02

    Establish the background sky with a thin wash of blue and white, blending the colors to create a soft, cloudy effect.

  3. step 03

    Block in the main areas of green using a mid-tone green mixture, paying attention to the overall value structure.

  4. step 04

    Begin layering darker greens in the shadows of the foliage, using short, broken brushstrokes to create texture.

  5. step 05

    Add lighter greens and highlights to the foliage, focusing on areas where light is hitting the surfaces.

  6. step 06

    Define the architectural elements with darker greens and grays, adding subtle details to suggest form and texture.

  7. step 07

    Refine the details of the foliage and architectural elements, adding small touches of color and texture to create visual interest.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments to the colors, values, and composition.

color palette

primary · viridian green · sap green · cerulean blue

secondary · titanium white · raw umber · yellow ochre

Mix various shades of green by combining viridian green and sap green with white, raw umber, or yellow ochre. Use white to lighten the greens and raw umber to darken them. Create the sky by mixing cerulean blue with white.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall sense of form and texture.
  • →Creating a flat, uniform green color without enough variation in value and hue.
  • →Ignoring the importance of atmospheric perspective and failing to create a sense of depth.
  • →Not establishing a strong value structure early on, leading to a muddy or unclear painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (#2, #6, #8)
  • ·flat brushes (#4, #10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney